A very quick pilgrimage to the NC mountains over the weekend, and a visit to Asheville, where I was honored to dine with blogging colleague Genie.
Genie steered me to Zambra, a Spanish tapas restaurant in the heart of downtown.
"That meal was so good, I don't know if I could describe it in words," I told her as we took a post-prandial walk to Pack Place.
"You're a writer," she said. "You owe it to yourself to do it."
Asheville itself has an indescribable character for me. Genie, who lives there full time, raised an eyebrow as I stammered about how the place makes me feel.
Some places just have resonances. Greece irradiates me as did the vial of radium the bosom of Pierre Curie. As soon as I step off the plane, invisible rays of shared humanity bombard me. Paris pumps me full of Western Civilization, the good, the bad, the warts, the beauty.
Asheville is similar, and different. Descending into the valley cut by the French Broad River, I enter a sacred precinct. Mountains whose outlines bleed blue into the hazy sky form a palisade around the city. Even as my pulse quickens, my blood pressure slackens, and it is suddenly easy to believe that the world has a gentle heart, and I have arrived inside it.
In my oral rough draft in Genie's presence, I likened Asheville to Oz's Emerald City, the urban fantasyscape that is the escapist vision of the best of all other cities.
But now I make my inevitable revision.
When I come to Asheville, an idea suggests itself, as certainly as if somebody had planted a chip in my brain. Or perhaps it is the Asheville muse. Or a benevolent bewitching.
The thought: Here, a humane life is possible.
My definition of humane, that is. The best of humanity, to me, is found in art, music, food, wine, architecture, market gardens, flowers, dance, family and community, and love.
I know chemistry is necessary. Business administration is useful. Steel smelting makes the world go round. And the stock market creates the possibility of a secure retirement.
But Asheville, at least the tourist Asheville I know, has nothing to do with the necessary and expedient and everything to do with the creatively human.
Take the restaurant Zambra, whose name comes from a genre of Spanish flamenco dance first practiced by gypsies.
First, you must approach the city by climbing a hill topped by glittering art deco skyscrapers. "Downtown wasn't always like this," Genie tells me as we negotiate for a parking space in the crowded streets. This is what the city at night should be: a university of relaxation. This group goes to hear music. That one goes to an art gallery. Another to Malaprop's Bookstore. And the rest of us to dinner.
Class is in session.
Zambra is cave-like: you enter at street level the dimly-lit dining room with its walls golden and caramel. But the street itself continues to climb, so that when you are escorted into a secluded alcove at the back of the room, the half-window to the outside above your head shows only the legs of passers-by.
The jazz combo that plays in the main room is muted but pleasing, making conversation possible and eavesdropping on other tables nearly impossible.
The menu is tapas, the Spanish equivalent of Greek mezes, or small plates. Instead of ordering, say, an appetizer, entree, and dessert, you order a selection of tapas, from which you eat in community.
The server, a classic organic Ashevillian beauty, asks if you know what tapas are, and adds that there is a special today, but "no pressure" to order it.
As a mythology geek, you must order the pomegranate-braised pork spring rolls, creamy candy cigars topped with guacamole and served with a poppyseed and mango dipping sauce. Persephone would have partaken.
Paella of shrimp, chorizo and chicken takes a full thirty minutes to make, but time has ceased to have meaning, so you order it without hesitation. When it comes, every bite is like a conversion experience. You want to raise your hands to the sky and taste in tongues. You feel as if you could eat the whole shrimp, shell and all.
Other dishes are just as rewarding.
"They try to buy local," explains the server.
You never get dessert or coffee, but tonight the exception is happily made. You have never heard of putting goat cheese in a chocolate brownie, but you descend through several layers of flavor and then are resurrected, alleluia.
Alamos Malbec, an Argentinian red, lubricates the experience from start to finish, but-- unless I miss my mark completely-- it isn't alcohol that makes this magic, only complements it. Dionysus, a gentleman. What a concept.
Finally, you seal the deal for a painting from Genie's oeuvre, because in Asheville, original art is as natural to possess as surveying equipment to road builders, and just as useful for finding equilibrium.
Maybe someday I will come to see Asheville as less magical and fantastic and more practical and mundane, as our world has to be in order for civilization to go on. But until then, Asheville makes it much easier to agree with the words of Pan's Labyrinth director Guillermo Del Toro, who states simply, "I believe that the spirit world exists. It is just as real as what we call the real world. Some people are able to see the spirit world, and others aren't, but that doesn't make it any less real."
Asheville, I wish you sweet spirits.
Photo is here.